Posts Tagged 'trent reznor'

The 2015 Biggie Awards (& My Top 10 and Bottom 5 of 2014)

The 26th Annual Biggie Awards

[UPDATED WITH WINNERS!]

for achievements in film for the year 2014

(click on any image to see the full-size version)

A year like 2014 is precisely why I created my own awards to begin with. It’s a year when the Oscars and I disagreed perhaps more than we ever have. I dutifully watched the Academy Awards this year, as I always do, but I had little to no rooting interest, as almost none of my favorite movies were up in the categories they should’ve been recognized in. Though you’ll find quite a bit of overlap in our acting nominees, I only agree with 3 of the Academy’s 8 Best Picture nominees, and they passed gas on nearly all of their technical categories. What else is new?

I thought 2014 was a good year on the whole, but not great. Maybe a B+ if I were to grade it. The barometer I use in judging an entire year is how many movies I put on my all-time “Movies I Love” list. This year, there were 21 new entrees on that list. There were 22 in 2013 and 25 in 2012. For perspective, the most ever is 31 from 2000. None of 2014’s entries will wind up in my all-time top 100, but that’s a tough list to crack any year.

Continue reading ‘The 2015 Biggie Awards (& My Top 10 and Bottom 5 of 2014)’

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The Early October Update

Helluuuur! Yeah yeah, it’s been awhile, I know. I haven’t had much to say over the past couple months, so by extension I haven’t had much to share. But I have seen a buttload of good movies of late, and figured it was time for a review dump. I’ve got some recommendations for yo ass, so pay attention.

GONE GIRL

Gone Girl poster

The 3-year wait between David Fincher films (his last was The Girl with the Dragon Tattoo in 2011) has been excruciating, even if we did get two Fincher-directed House of Cards episodes last year on Netflix. But he’s finally back, all is right in the cinematic universe, and of course he has not disappointed with one of the mostly hotly anticipated films of 2014. Why do people like me worship this man’s work so much? It’s not too complicated. When people say the first job of a director is to know what he or she wants, David Fincher is the embodiment of that. If you’ve watched the A+ special features on any of Fincher’s movies, you know what I’m talking about. I have learned so much about the filmmaking process just by watching this man work, and I’m grateful to him for having been so open with his audience. I can’t wait to get Gone Girl on Blu-ray and spend hours poring through the bonus content. He also does some of the best, most informative commentaries you’ll ever listen to. He’s one of the most consistent and talented filmmakers alive, and he hasn’t made a bad movie since his first movie, which was 22 years ago. That’s something worth admiring, methinks.

Continue reading ‘The Early October Update’

5 “In Development” Projects I Need Right Now

Ever wonder what happened to that cool-sounding movie project you heard about a few years ago that still hasn’t been made? Ever wonder why a sequel that seemed like a sure thing seems to now be drifting aimlessly in limbo? Well, more than likely that project is stuck in what Hollywood calls “Development Hell”. Movies get stalled for an infinite number of reasons, but some are more common than others. For example, an actor may be holding out for a bigger paycheck, the studio may not give a greenlight until the filmmakers find a way to reduce the budget, or the director may have found another project he or she wants to do first. Sometimes, on a movie like Avatar (which James Cameron first concocted sometime in the 90’s), the filmmakers have to wait for technology to catch up with their vision. Other times, the strange can occur: did you know that Tom Cruise was originally going to star in Salt? When he dropped out and moved on, the main character was rewritten as a woman and presented to Angelina Jolie, who said yes.

BUT…the biggest thing holding up most in-development movies is the script. Either it isn’t done yet, or somebody isn’t satisfied with how the first draft ended up, so the studio has to commission a rewrite, perhaps with an entirely different writer (or writers). A lot of big name actors, producers and directors have script approval, so some movies can’t get made until the people at the top of the creative food chain are satisfied. And then, even when they are satisfied, the studio may then have hesitations. It’s a common conundrum in big budget filmmaking, causing some movies to be delayed months or years, even after the studio has publicly stated, “Yes, we’re making this.”

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The 2012 Biggie Awards

The 23rd Annual Biggie Awards

aka The Biggies

for achievements in film for the year 2011

MMXI (that’s 2011 in Roman numerals, noobs), it was a strange year at the movies. Very strange indeed. For the first few months of the year, I thought it might end up being the worst overall year for the number of quality films in my adult life. Though there were a couple nice surprises early on (The Lincoln Lawyer, The Adjustment Bureau), it wasn’t until April that I finally saw a movie I truly loved (Hanna). After that, we went most of the rest of spring and almost the entire summer without a truly great movie, which instead was an unending string of disappointments and bland sequels. And I mean real bland, bland by even modern Hollywood standards (I mean, even Pixar made a subpar movie this year). That includes almost all of the major summer “tentpoles”. The big Marvel Avengers tie-in comic book flicks (Thor, Captain America) were both okay, but just okay. Then there was Green Lantern, which can only be described as godawful. I’m still having nightmares over the fact that a giant cloud of diarrhea was a villain in a movie that cost more than $250 million. Michael Bay continued crushing the memory of my childhood heroes with another shitty mess of a Transformers movie (Dark of the Moon, which was only 8.2% better than that atrocity Revenge of the Fallen), while Todd Phillips followed up one of the greatest comedies ever made (The Hangover) with an offensively lazy sequel that was almost literally a carbon copy of the first. I wanted more from J.J. Abrams‘ much-hyped Super 8 (hated the creature design, hated the ending), and although I enjoyed X-Men: First Class, it didn’t hold up as well upon a second viewing recently on Blu-ray.

Continue reading ‘The 2012 Biggie Awards’


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