Posts Tagged 'joseph gordon-levitt'

The 2014 Biggie Awards (& The 25 Movies from 2013 That You Should’ve Seen)

The 25th Annual Biggie Awards

aka The Biggies

celebrating achievements in cinema for the year 2013

First off, this is me patting myself on the back for 25 years of recognizing excellence in film. It’s pretty cool to hit a milestone like that. I’ve been doing these awards since I was 17 years old, aka half of my life. I started in 1997 with awards for that year’s amazing roster of movies, but eventually I retroactively went back and did my awards from 1989 forward. Why 1989? Well, basically it was so I could recognize Glory (one of my top 10 favorite movies of all time) as my first Best Picture winner. What other reason do I need? I take this very seriously, and I’m proud of the legacy I’ve been able to build here, even if that legacy exists only in my own mind. Hopefully that pride shows in how much time and care I put into this post every year.

Gatsby - glass raise“Happy 25th anniversary, Old Sport.”
Thanks, Gatsby!

As part of our 25th anniversary celebration, for those interested, here are all of my previous Best Picture winners, with the Oscars’ Best Picture winner that year in parentheses for comparison:

Continue reading ‘The 2014 Biggie Awards (& The 25 Movies from 2013 That You Should’ve Seen)’

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Review & Perspective: THE DARK KNIGHT RISES

The Dark Knight Rises arrived in theaters as my most anticipated movie of 2012, and if I think about it, one of my most anticipated movies EVAR. As in, top 5 on my “keeps me up nights I’m so excited to see it” list, right up there with The Phantom Menace, The Matrix Reloaded, The Lord of the Rings: The Two Towers & Return of the King, Spielberg’s War of the Worlds and the first Transformers. That’s not an official list, but it gives you some historical comps. It’s been four long years since The Dark Knight rocked our socks with its awesomeness (it remains the best comic book movie ever made), and even though Christopher Nolan has continued to shit greatness in the interim (Inception), ever since 2008 I was always more excited about any and all news regarding his third Batflick. What’s the title gonna be? Who is the next villain to get the Nolan Treatment? The instant I walked out of that theater in July, 2008, I was wondering how soon Warner Bros. would announce a release date for the followup. And it didn’t happen. Forever. Even as The Dark Knight broke the almighty 3-day opening weekend box office record (which has since been topped twice by two 3D-enhanced juggernauts, Harry Potter 7-b and The Avengers), went on to gross more than $500 million domestically and just over a billion worldwide. Nowadays, when studios get results like that, they announce the release dates for the next 3 movies in a series. But it wasn’t until April 30, 2010 that they announced the release date (which I correctly predicted in 2008 would be in 2012), and the Dark Knight Rises title wasn’t announced until October 27, 2010. I remember being hugely underwhelmed by the title choice (Huh? You’re just gonna add one word to the title of the last movie? was my reaction at the time), but I trusted that it would all make sense once we saw the film. And even with all the trailers and ads prior to release, you don’t fully come to appreciate the title until literally the final shot of the movie, at which point it does in fact make perfect sense…as I thought it would. Continue reading ‘Review & Perspective: THE DARK KNIGHT RISES’

The 2012 Biggie Awards

The 23rd Annual Biggie Awards

aka The Biggies

for achievements in film for the year 2011

MMXI (that’s 2011 in Roman numerals, noobs), it was a strange year at the movies. Very strange indeed. For the first few months of the year, I thought it might end up being the worst overall year for the number of quality films in my adult life. Though there were a couple nice surprises early on (The Lincoln Lawyer, The Adjustment Bureau), it wasn’t until April that I finally saw a movie I truly loved (Hanna). After that, we went most of the rest of spring and almost the entire summer without a truly great movie, which instead was an unending string of disappointments and bland sequels. And I mean real bland, bland by even modern Hollywood standards (I mean, even Pixar made a subpar movie this year). That includes almost all of the major summer “tentpoles”. The big Marvel Avengers tie-in comic book flicks (Thor, Captain America) were both okay, but just okay. Then there was Green Lantern, which can only be described as godawful. I’m still having nightmares over the fact that a giant cloud of diarrhea was a villain in a movie that cost more than $250 million. Michael Bay continued crushing the memory of my childhood heroes with another shitty mess of a Transformers movie (Dark of the Moon, which was only 8.2% better than that atrocity Revenge of the Fallen), while Todd Phillips followed up one of the greatest comedies ever made (The Hangover) with an offensively lazy sequel that was almost literally a carbon copy of the first. I wanted more from J.J. Abrams‘ much-hyped Super 8 (hated the creature design, hated the ending), and although I enjoyed X-Men: First Class, it didn’t hold up as well upon a second viewing recently on Blu-ray.

Continue reading ‘The 2012 Biggie Awards’

Ten Actors I Love Right Now (and Five That I Don’t)

The title is fairly self-explanatory, right? In case it isn’t, here’s some background. This post was a completely random idea, but it’s those random ideas that I find usually end up being the most interesting posts on this blog, so I’m running with it. I still have to do my “Most Anticipated Movies of 2012” list, and another post that I’m working on that might be my most important one yet, but this particular idea came to me almost fully formed, and as I started to work on it, it basically wrote itself, which is always a good sign. 2011 was not a phenomenal year for movies, but several actors made the most of their opportunities, and several of these people have been exceedingly impressive for several years now, as I’ll remind you throughout.

Some of these will be obvious choices, but for good reason. Despite what I’ve said in the past about casting overexposure, some actors deserve to be in a lot of movies, and I’m at my happiest as a moviegoer these days when these actors are on the screen. This is not a list of my favorite actors overall, but because these people are all doing great work in interesting movies right now, they might be my favorite actors right this minute.

The list is in A-B-C order. I wasn’t intending to show preference, just to point out the people I think deserve the success they’re having, or people I think deserve to be bigger names that aren’t yet. I wish there were more minorities on the list, but let’s face it, in a town full of left-wing liberals, Hollywood’s greatest hypocrisy is the way it whitewashes its movies.

Continue reading ‘Ten Actors I Love Right Now (and Five That I Don’t)’

Super Movie Extravaganza Time!

The best part about going to 11am matinee movies on a Friday? The entire audience (aside from me) is people who qualify for senior citizen discounts. This is mostly a plus, as they don’t talk too much and they don’t text or use their phones at all. For the most part, old people have their priorities straight while they’re watching the movie. I respect that. That said, one thing a lot of them do tend to do is provide their own annoying narration. As a movie is unfolding onscreen, they’ll often try to predict what’s gonna happen next…out loud. “There’s already somebody in the house!” OH, REALLY? How could ya tell? From the broken glass and the door left ajar? THANK YOU, GRANDMA! “Ohhhh, he’s gonna shoot him!” THANK YOU, GRANDMA! No shit! That’s why he pulled his gun out! “Oh, got him!” THANK YOU, GRANDMA! But if I wanted celebratory commentary, I’d watch Gus Johnson call an NCAA basketball game.

Senior citizen narration. It’s irritating at times, but if it’s a choice between that and 4 teenage boys behind me being obnoxious with unfunny wisecracks through the entire movie, I’ll take the seniors’ narration.

Another funny thing happened while I was watching The Lincoln Lawyer on Friday morning. There’s a part where a man and his dog get killed in the man’s apartment. So a police officer tells Matthew McConaughey‘s character, “They shot [character name]”, which elicited a minor “Oh no” from a few senior citizens in the audience. Then the next thing the cop says is, “And they shot his dog, too,” at which point almost the entire audience (there were at least 50 people there), in unison, GASPED loudly, in complete shock and disgust. I had to L-O-L right then and there, just at the audience reaction, because of how telling it was about our culture in general. Very strange. Human misery and suffering…ehh, oh well. Even if it was a character we liked (which it was). But murdering a dog in a movie (even if it’s not shown)?! That’s about the worst thing you can do. Screenwriters take note.

Anywho, over the last week or so, there’s been a lot of interesting news out of Hollywood. So this is a post of all movie news and reaction. A lot of my movie nerd friends will have seen this stuff reported already, but dammit, you haven’t heard MY take yet! And away we go…

-Hey, great news! Men in Black III comes out next year!!! Yeah, I don’t care either. But they’re making it. That’s not the interesting part. The interesting part is how they’ve decided to make it. I insist you read this Hollywood Reporter story about just how fucked up the production has gotten. They deliberately started shooting the movie with only a third of the script complete, which is strange even by Hollywood standards. Really, if you’re at all interested in Hollywood insider biz stuff, it’s a fascinating 2-page read.

I’d been hoping that this movie never got made. My primary issue with the project is that it’s a complete waste of time for everyone involved. However, because Hollywood is so reliant on franchises these days, Sony was gonna make this movie no matter what it took, and once Will Smith finally agreed to do it, it was full steam ahead. Only now, Will Smith isn’t satisfied with the script, which is difficult to remedy once you’ve already started shooting. It’s troubling to me that the first decision made on most big movies these days is the release date. And because Sony has committed to a date (May 25, 2012), they’ll do whatever it takes to get the movie finished in time, even it means releasing a complete turd of a movie. They’re counting on all of us to show up opening weekend regardless, pay more than we should for 3D (oh yes, it’ll be in 3D), sit in our seats, shutup, and deliver a $100 million opening weekend.

The second Men in Black, though it did well (but not as well as the original), was a complete disaster of a movie. There has been no clamor amongst fans for a third movie, so this can only be a blatant money grab by EVERYONE involved (which makes it even more shameful in Smith’s case, because he can make big money doing any project he wants, and THIS is what he chooses- doing the same thing…again). I know damn well Tommy Lee Jones doesn’t want to do this again, but with a likely $20 million+ payday, I can’t name many people who would turn that down. Unlike Smith, Jones doesn’t make anything near that on his other movies. Hell, they had a hard time getting Jones back for part II. I think recent history has shown that sequels made so far apart just for the sake of continuing a tired franchise beating a dead horse (Indiana Jones and the Kingdom of the Crystal Skull anyone?) have not fared so well creatively. It was 5 years between Men in Black and MiB II, and it will now be 10 years between II and III, and 15 years between the first and third. Perhaps if a movie is this hard to put together, it’s for a reason. Just a thought.

I enjoyed the original Men in Black, but for as long as I’ve wanted to make movies, I’ve wanted to see a serious, X-Files-type story about the so-called men in black, who have been a pop culture superstition for decades. It’s still possible we’ll get one eventually, but it would have to use another title, and it would have to be far removed from these more light-hearted versions. One day, I hope.

Kevin Costner has been cast in Zack Snyder‘s Superman. He’ll play Jonathan Kent, adopted father to Superman, opposite Diane Lane as Martha Kent. I love Diane Lane and I love Kevin Costner, so this is all good, baby. I’m not too familiar with the Superman canon, and it’s unconfirmed how big a part the Kents will play in the film, but it’s solid casting nonetheless. I appreciate how Costner has started taking more supporting roles of late, as his leading man star has faded considerably. I still think he could carry a film just fine, but until people pay to see him as a lead, he’s not gonna get those parts (unless he pays for the movie himself). Until that happens, better to see him in a supporting role than to not see him at all. So long as he keeps away from the Boston accents.

-I, like many others, was very disappointed to learn this week that Darren Aronofsky had suddenly vacated the director’s chair of The Wolverine. The film features a supposedly very solid script by Christopher McQuarrie (The Usual Suspects), and was based on one of the most popular Wolverine comic storylines ever, one set in Japan. It’s supposed to be very raw, less reliant on CGI and more on a lot of hand to hand (and adamantium claw to katana) combat. Hugh Jackman is already deep into his physical training for the movie (and he’s sounded ecstatic about it since day 1), and it was set to shoot on location in Japan for much of the second half of this year. It’s yet unclear whether the recent Japanese earthquake/tsunami was going to delay or elongate the shooting schedule, but Aronofsky’s primary given reason for leaving the film was that it would take him out of the country and away from his family for too long. This is very depressing news. Any intelligent person who saw X-Men Origins: Wolverine knows how flawed that film was, but to have its sequel directed by a talent like Aronofsky had a lot of geeks (myself included) incredibly excited about its potential. And I’m not even a huge Wolverine fan. The film will reportedly still go ahead as scheduled, but obviously with another, likely lesser director. Many of us anxiously wait to learn who that will be. Seeing what Darren Aronofsky would’ve done with a mainstream property like this had a lot of people drooling. I now have to wipe my mouth clean.


RAAR! NOW HIRING: DIRECTOR!

-I’m very interested to see Morgan Spurlock‘s latest documentary, The Greatest Movie Ever Sold, which finally got a trailer this week. Basically, it’s about the grip advertising holds over our culture, and he financed the movie (or so he claims) solely by selling sponsorships that will appear onscreen during the film. It’s certainly a unique idea. Check it:

-Just about as fast as Arnold Schwarzenegger left office as Cal-ee-foe-nee-uh’s governor, he stated that he wanted to get back into acting. But what is the market for a semi-retired 60+ year old action star? That remains to be seen. Is he willing to try new genres and new types of roles, or does he really think he can get back into the action game at this late stage of his career? Is it physically possible for him to do what his 65-year old buddy Sylvester Stallone has been doing of late? Stallone has been performing on screen as though it were still 1985. Of course we can question HOW he’s managed to do that, but one has to assume that type of physical strain is not for every senior citizen actor.

I mention this because Tom Arnold recently opened his mouth and said that he thinks a True Lies sequel could be Arnold’s comeback movie. Anyone with any sense thinks that’s absurd for any number of reasons. First of all, James Cameron isn’t available to direct anything but Avatar sequels until 2016, at which point Arnold would be pushing 70. Would Schwarzenegger do a True Lies sequel without Cameron at the helm? Is Cameron even interested in writing it? Would Arnold get involved in a True Lies sequel that wasn’t written OR directed by Cameron? From everything I’ve read from him over the years, the answer is no. Yet every now and then Tom Arnold (and it’s usually ONLY Tom Arnold) tries to stir the pot by starting new True Lies 2 rumors that never go anywhere. This annoys me greatly. I think Tom Arnold is the only one in the world excited about the chance to make this movie. I for one don’t think it’s ever getting made, with or without Arnold Schwarzenegger. That ship has sailed. It’s 17 years and counting since True Lies (one of my favorite movies) came out in 1994. Again, why would anyone want to do it after so much time has passed? And where is the audience demand for it? Pretty much nonexistent, I’d wager. Add True Lies 2 to the list of “sequels nobody asked for.” I love the first movie, but what are you gonna do, have a 65-year old Arnold Schwarzenegger and 53-year old Jamie Lee Curtis back together for more zany espionage and adventure? No thanks.

-On the other hand, a sequel that a lot of people want to see (even if it makes no sense) is a followup to Taken, which is now actually going to happen. I guess for a long time there was a scheduling conflict that wouldn’t allow Liam Neeson to shoot it when they wanted to shoot it (wait, wouldn’t you WAIT for Neeson no matter how long it took?), but that scheduling conflict has apparently been resolved and the sequel will shoot late this year or early in 2012, potentially lining it up for a December ’12 release. The sequel will have the same writers as the original (Luc Besson & Robert Mark Kamen) and be directed by Olivier Megaton, whose most notable credit to date is the third Transporter movie. That’s not confidence-inspiring, but his last name is almost Megatron, so I’ll go with it for now.

Supposedly, the studio was considering other actors to star in the sequel (presumably not as the same character), but that would have been one of the all-time bonehead moves, no? You don’t make a sequel to Taken without Liam Neeson. That should be against the law. I can’t imagine they’ve come up with a plot believable enough to make this worth it, but I’ll see it anyway, dammit. The original is one of the all-time “if you come across it on TV, you’re not turning it off” movies, and it’ll be a tall order to recreate that magic. I truly can’t wait to hear what the plot of this movie is going to be. Maybe some Russian gangsters will kidnap his dog. There’s a great way to garner audience compassion! We’ll sell it as “Taken meets Marley & Me.” See you in HELL, Marco from Tropojë (yes, that’s how it’s spelled)!

Liam Neeson is offended by your arrogance, and here’s every single punch, chop and collision from the original Taken to prove it:


WINNING, anyone?

Joseph Gordon-Levitt has been officially added to the cast of The Dark Knight Rises, and it looks like he’ll be playing Alberto Falcone, the son of Carmine Falcone, played by the great Tom Wilkinson in Batman Begins. With such a big ensemble cast, this is going to be one massive, interweaving story. The only news I’m still waiting to hear on this project (easily my most anticipated movie of 2012) is whether or not James Newton Howard will again team with Hans Zimmer on the score. Zimmer is already confirmed back, but no word yet on JNH’s involvement. I think he’s gotta come back to wrap this thing up nicely. And for the love of god, more composer collaborations like this in the future! Like, if Zimmer ever teamed up with John Williams, I don’t know if my heart could take it.

-I’m sort of ashamed to admit this, but I really like the new trailer to Fast Five. Granted, it shows waaayyy too much, but the action looks amazing. And the reason it looks amazing it because it appears most of it was done practically, with real cars and real stuntmen. In some of the earlier installments, they’ve used CG cars, which ALWAYS look awful (seriously, why has this not been mastered yet, VFX guys?). At the very least, the Vin DieselDwayne Johnson 1v1 fist fight should be badass. Keyword: should be. The Fast and the Furious may be the stupidest, most unnecessary franchise in cinema history, but if it goes out with this kind of a bang, I’m willing to turn my brain off, sit back and enjoy the ride. Besides, I’ll get my usual dose of gratuitous T&A shots of the numerous hot chicks who randomly hang around the cars. What do you have to lose?

And did I mention, Fast Five is NOT in 3D! WohoO!!! That alone may make it worth the price of admission.

Sucker Punch opens Friday, which means more of YOU in my life, Emily Browning:


O, HAI!

Today’s Recommended Listening is a solid track off of Lupe Fiasco‘s new album, Lasers. It’s called “All Black Everything” and you WILL like it.  


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