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The 2016 Biggie Awards (and My Top 10 & Bottom 5 of 2015)

The 27th Annual Biggie Awards

for achievements in film for the year 2015

2015. Goddamn. “Weird” doesn’t even begin to describe it.

In my view, this was the weakest year overall for movies since 2009, where I only “loved” 14 movies. In 2015, as of this writing, I added 17 films to my Love List. For perspective, since I’ve started tracking these things in 1997, this is only the third year where I didn’t love at least 20 movies. I didn’t love anything in 2015 until early May when Avengers: Age of Ultron opened, and even that was a disappointment compared to its predecessor.

This was not a year like 2000 (Gladiator), 2003 (The Lord of the Rings: The Return of the King) or 2012 (Lincoln) where a single film dominated the year while also facing stiff competition (Gladiator fended off The Patriot, Crouching Tiger, Hidden Dragon AND Traffic, ROTK is the most awarded film in Biggies history, but still had to face Master and Commander: The Far Side of the World AND The Last Samurai– which would have been the Best Picture winner in most other years, while Lincoln had to battle Zero Dark Thirty). The closest comp I can come up with is 2011, when Drive snuck in out of nowhere to take Best Picture in a wide open field. Drive would’ve been crushed had it come out the same year as There Will Be Blood or Titanic, but it happened to arrive in a mediocre year and was able to edge out the victory. Fast forward to now, and I don’t even know if there was a 2015 film as good as Drive. As a result, this is probably the most winnable year in Biggies history for “great but not masterful” movies, which is simultaneously really fun and disappointing by default. As I post this, I honestly haven’t decided what I think the best movie of 2015 was.

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Review: STAR WARS: EPISODE VII- THE FORCE AWAKENS

poster

Vader helmet

Welcome back, friends. Please forgive my lack of productivity in this space through pretty much all of 2015, but I’ve had quite a bit going on out in the real world. On top of that, I’m much more interested in creating my own work than I am reacting to the work of others, which is what I do most of the time on this blog. That’s a result of simply wanting to get things off my chest, and over the past year I’ve become pretty good about being able to keep my mouth shut and my thoughts contained inside my head. This is my first full review since I analyzed Captain America: The Winter Soldier in April of 2014. Fuck, it has been awhile, hasn’t it?

Reviewing Star Wars movies has always been tough for me. And by “tough”, I mean “nearly impossible”. The original trilogy, collectively, occupies the #1 slot on my list of favorite movies of all time. When I watch those movies, I don’t see actors and cinematography and writing, I am watching a story unfold, nothing more. I’m not thinking at all about how it was made. That’s because I became passionate about Star Wars before I knew I was passionate about filmmaking. When it comes to the prequels, I don’t like talking about them because of how disappointing they are. I’ve never gone as far as most in saying they outright suck, but I freely admit they are a mess. I can still watch them and enjoy doing so, but they don’t feel like the original movies at all, and I’d have a very tough time watching all 6 in order, because the gap in style, both visually and in storytelling, between Revenge of the Sith and A New Hope would be too big a jump to make in my mind. I’m also bitter that the way Anakin Skywalker was handled in the prequels makes original trilogy Darth Vader much less badass, which is a cinematic felony.

On to current events! Back when Disney bought Lucasfilm in 2012 and sent George Lucas packing, I posted my reaction to the news [HERE] and then did another piece reacting to the announcement of J.J. Abrams as Episode VII’s director [HERE]. I originally pegged Abrams’ selection at only a 2% chance of happening. In hindsight, that was foolish, but I based that doubt on the fact that I refused to believe that they’d hire the same guy who rebooted Star Trek to also revive Star Wars. I viewed that as some sort of celestial paradox. Minus the Star Trek factor, I approved of Abrams doing this, and I still approve now after we’ve all seen the finished product. Episode VII needed to be directed by a Star Wars fan, and Abrams has proven his worthiness in that regard. In many people’s views, his love for the original films is too evident in Force Awakens, but we’ll get to that.

Without further ado, let’s get straight into it. Needless to say, SPOILERS APLENTY AHEAD!

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